Eugenio Barba

It also explores his writings and ideas on theatre anthropology, and his unique contribution to contemporary performance research in-depth analysis of the 2000 production of Ego Faust, performed at the International School of Theatre Anthropology as a practical guide to training exercises developed by Barba and the actors in the company

This is one of the Routledge Performance Practitioners a series of introductory guides to the key theatre-makers of the last century

Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first century performance

These compact, well-illustrated and clearly written books will unravel the contribution of modern theatre's most charismatic innovators